{"id":16,"date":"2010-09-15T19:48:34","date_gmt":"2010-09-15T19:48:34","guid":{"rendered":"http:\/\/www.jonasdossantos.com\/?page_id=16"},"modified":"2010-09-16T02:30:20","modified_gmt":"2010-09-16T02:30:20","slug":"resume","status":"publish","type":"page","link":"http:\/\/www.jonasdossantos.com\/?page_id=16","title":{"rendered":"Resume"},"content":{"rendered":"<h1>Jonas dos Santos<\/h1>\n<p>1242 N. Lawrence Street<br \/>\nPhiladelphia, PA 19122<\/p>\n<p>215-978-0793<br \/>\nFax: 215-978-0793<br \/>\nE-mail: jonaslink@cs.com<\/p>\n<p>Born: Recife, Brazil<\/p>\n<p><strong>EDUCATION<\/strong><br \/>\n1968-1972\u00c2\u00a0 Corcoran School of Art, Washington, DC<br \/>\n1966-1968\u00c2\u00a0 B.A. Escola de Arte, Recife, Brazil<br \/>\n1965-1966\u00c2\u00a0 Atelier de Artes Livres, Recife, Brazil<\/p>\n<p><strong>SELECTED PERFORMANCES AND PROJECTS<\/strong><\/p>\n<p>2005\u00c2\u00a0 <span style=\"text-decoration: underline;\">DON QUIXOTE DECONSTRUCTED<\/span>, Zoellner Art Center, Lehigh University, PA<\/p>\n<p>2004\u00c2\u00a0 <span style=\"text-decoration: underline;\">IN SEARCH OF DON QUIXOTE<\/span>, Touchstone Theater, Bethlehem, PA<br \/>\n<span style=\"text-decoration: underline;\">DRAWINGS EXHIBIT<\/span>, Penn State Univ. Art Gallery, PA<\/p>\n<p>2003\u00c2\u00a0 <span style=\"text-decoration: underline;\">RECLAMATION SANCTUM \u00e2\u20ac\u0153A\u00e2\u20ac\u009d &amp; \u00e2\u20ac\u0153B\u00e2\u20ac\u009d<\/span>, Philadelphia Art Alliance, Phila., PA<br \/>\n<span style=\"text-decoration: underline;\">SHIFTING BOUNDARIES II: A COMMUNITY INTERVENTION<\/span>, Fairhill School, Phila., PA<\/p>\n<p>2002\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">21st CENTURY PHILADELPHIA SCULPTORS<\/span>, Freeman\u00e2\u20ac\u2122s Auction House, Phila., PA<br \/>\n<strong> <\/strong><span style=\"text-decoration: underline;\">SHIFTING BOUNDARIES I: A COMMUNITY INTERVENTION<\/span>, Fairhill School, Phila, PA<br \/>\n2001\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">SEA REEF<\/span>, installation\/performance, Museu da Praia,\u00c2\u00a0 Ponta de Mangue, AL, Brazil<\/p>\n<p>2000\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">ARTISTS &amp; COMMUNITIES: AMERICA CREATES FOR THE MILLENNIUM<\/span>,<br \/>\nproject\/residency, Roswell Museum of Art, Roswell, NM<br \/>\n<span style=\"text-decoration: underline;\">FEEDING THE MULTITUDES 2000<\/span>, Fine Arts Center &#8211; Bryn Mawr Presbyterian Church, Bryn\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 <strong><\/strong><br \/>\n<strong> <\/strong> Mawr, PA<\/p>\n<p>1999\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">CULTURAL POLITICS\/THE CENTURY&#8217;S ASSESMENT 1999<\/span>, perfromance, Annenberg<br \/>\nPerforming Arts Center, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">DANCA\/NATA<\/span>, installation, Art in City Hall, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">THE MYHELAN MILLENNIUM PROJECT<\/span>, Myhelan Art Center, Long Valley, NJ<\/p>\n<p>1998\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">PROJECT BRAZIL\/USA 2001<\/span> &#8211; installation\/project initiative, Nexus Gallery, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">DANCA\/NATA 98<\/span>, performance\/installation, Community Education Center, Philadelphia, PA<\/p>\n<p>1997\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">THE VESSELL<\/span> &#8211; installation, Art in City Hall, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">THE BACK-LASH: 21 YEARS OF FLAGULATION FOR THE LOVE OF ART\/NEXUS 21<\/span>,<br \/>\nNexus Gallery, Philadelphia, PA<strong><\/strong><\/p>\n<p>1996\u00c2\u00a0 <span style=\"text-decoration: underline;\">LABORATORY EARTH\/RITUAL FOR THE CONFEREE 1996<\/span> &#8211; performance\/installation,<br \/>\nInternational Performance Symposium, Penn State University, University Park, PA<br \/>\n<span style=\"text-decoration: underline;\">RECLAIMING HISTORY\/GLOBAL KINSHIP<\/span>, performance\/installation, Taller Puertorriqueno<br \/>\nPhiladelphia, PA<\/p>\n<p>1995\u00c2\u00a0 <span style=\"text-decoration: underline;\">THE\u00c2\u00a0 ECO ARTREACH PROJECT 95<\/span> &#8211; for the city of Newark, NJ<br \/>\n<span style=\"text-decoration: underline;\">ECO: ACCA\/MAM 95<\/span> &#8211; installation, Montclair Art Museum, Montclair,NJ<\/p>\n<p>1994\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">SPACE\/METAPHOR: THE TREK OF THE ECO STAR 94<\/span> &#8211; performance\/installation, Hallwalls<br \/>\nContemporary Arts Center, Buffalo, NY<br \/>\n<span style=\"text-decoration: underline;\">ECO PARADISE\/THE JOURNEY OF THE MICROBES 94<\/span> &#8211; performance\/installation, Perkins<br \/>\nCenter for the Arts, Moorestown, NJ<br \/>\n<span style=\"text-decoration: underline;\">HELIOS THE NEAREST STAR\/THE SUN 94<\/span> &#8211; performance\/installation, Science Center,<br \/>\nPhiladelphia, PA<\/p>\n<p>1993\u00c2\u00a0 <span style=\"text-decoration: underline;\">HIGH, HIGH, HIGH\/LOW TECH 93<\/span> &#8211; performance\/installation, ARCO, Lisbon, Portugal<br \/>\n<span style=\"text-decoration: underline;\">ECO\/LOGICA 93<\/span> &#8211; installation, The Mexican Museum, San Francisco, CA<br \/>\n<span style=\"text-decoration: underline;\">WHOLE\/FLEISHER 93<\/span> &#8211; performance\/installation, Fleisher Art Memorial, Philadelphia,PA<br \/>\n<span style=\"text-decoration: underline;\">ECO\/DECOR 93<\/span> &#8211; installation, Perkins Center for the Arts, Moorstown, NJ<\/p>\n<p>1992\u00c2\u00a0 <span style=\"text-decoration: underline;\">THE CROSSING\/THE LONGING 92<\/span> &#8211; performance\/installation, Hillwood Art Museum, Long<br \/>\nIsland, NY<br \/>\n<span style=\"text-decoration: underline;\">THE CROSSING\/THE LONGING 92<\/span> &#8211; installation, INTAR Gallery, NYC, NY<br \/>\n<span style=\"text-decoration: underline;\">ST. BENEDICT\u00e2\u20ac\u2122S SHRINE 92<\/span> &#8211; installation, Painted Bride Art Center, Philadelphia,PA<br \/>\n<span style=\"text-decoration: underline;\">AMERICA\u00e2\u20ac\u2122S 500 COLUMBUS\u00e2\u20ac\u2122 FOOTHOLD 92<\/span> &#8211; installation, Rockville Art Center,<br \/>\nRockville, MD<\/p>\n<p>1991\u00c2\u00a0 <span style=\"text-decoration: underline;\">RITUAL FOR DAEDALUS 91<\/span> &#8211; performance\/installation, Pennsylvania School of Art and Design,<br \/>\nLancaster, PA<br \/>\n<span style=\"text-decoration: underline;\">BRAZIL VIA NEW YORK\/OXYGEN SHARE 91<\/span> &#8211; installation, Experimental Gallery,<br \/>\nSmithsonian Institution, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">LUCY THE SKULL 91<\/span> &#8211; performance\/installation, Maryland Art Place, Baltimore, MD<br \/>\n<span style=\"text-decoration: underline;\">AN ECOLOGICAL PURSUIT: IF MARTHA GRAHAM COULD DANCE IN THE JUNGLE IN<\/span><br \/>\n<span style=\"text-decoration: underline;\">LOVE WITH NOGUCHI 91<\/span> &#8211; performance\/installation, Institute of Contemporary Art, University<br \/>\nof\u00c2\u00a0 Pennsylvania, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">BACK TO EDEN\u00e2\u20ac\u2122S\u00c2\u00a0 FRONT\/GUERRE 91<\/span> &#8211; installation, The Alternative Museum, NYC, NY<\/p>\n<p>1990\u00c2\u00a0 <span style=\"text-decoration: underline;\">MEMORIES OF THINGS TO COME 90<\/span> &#8211; installation, The Art Alliance, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">MAIO 90<\/span> &#8211; performance, McCall School of Art, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">THE GLOBAL SHRINE OF THE IMMIGRANT 90<\/span> &#8211; installation, Socrates Park, Long Island, NY<\/p>\n<p>1989\u00c2\u00a0 <span style=\"text-decoration: underline;\">BODY WORKS 89<\/span> &#8211; installation, Nexus Gallery, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">BRAZIL VIA NEW YORK\/OXYGEN SHARE 89<\/span> &#8211; installation, INTAR Gallery, NYC, NY<br \/>\n<span style=\"text-decoration: underline;\">FITS OF TEMPER 89<\/span> &#8211; performance\/installation, Headlands Center for the Arts, Sausalito, CA<br \/>\n<span style=\"text-decoration: underline;\">SPIRITUS ECLETICUS 89<\/span> &#8211; performance\/installation, Albright College, Reading, PA<\/p>\n<p>1988\u00c2\u00a0 <span style=\"text-decoration: underline;\">SACRED AND PROFANE 88<\/span> &#8211; performance\/installation, El Museo del Barrio, NYC, NY<br \/>\n<span style=\"text-decoration: underline;\">ALTERED SITES 88<\/span> &#8211; installation, Fairmount Park, Philadelphia,PA<br \/>\n<span style=\"text-decoration: underline;\">CROSS 88<\/span> &#8211; performance\/installation, Taller Puertoriqueno, Philadelphia,PA<br \/>\n<span style=\"text-decoration: underline;\">CIRCO BRAZIL\/TEMPLE OF ANARCHY 88<\/span> &#8211; performance\/installation, Temple Gallery,<br \/>\nPhiladelphia,PA<br \/>\n<span style=\"text-decoration: underline;\">HEROES, GODS AND DEMONS 88<\/span> &#8211; installation, Nexus Gallery, Philadelphia, PA<\/p>\n<p>1987\u00c2\u00a0 <span style=\"text-decoration: underline;\">O CIRCO 87<\/span> &#8211; performance, Pau Amarelo, Brazil<br \/>\n<span style=\"text-decoration: underline;\">NUCLEAR WINTER 87<\/span> &#8211; performance, Osiris Productions, Washington, DC<\/p>\n<p>1986\u00c2\u00a0 <span style=\"text-decoration: underline;\">AMERICA\/AMERICAS N. C. S. COOL\/COUP 86<\/span> &#8211; performance\/installation, Lehigh University<br \/>\nBethlehem, PA<br \/>\n<span style=\"text-decoration: underline;\">ALEGRIA INVADE AS RUAS\/HAPPINESS INVADES THE STREETS 86<\/span> &#8211; performance\/<br \/>\ninstallation, Rodney Square, Wilmington, DE<br \/>\n<span style=\"text-decoration: underline;\">OFFERING 86<\/span> &#8211; worship service\/performance, Old First Presbyterian Church, Wilmington, DE<br \/>\n<span style=\"text-decoration: underline;\">WORKS FROM 1975-1986<\/span> &#8211; exhibition, Delaware Arts Council, Wilmington, DE<br \/>\n<span style=\"text-decoration: underline;\">THE BOOM ALONG THE WATERS OF THE BRANDYWINE 86<\/span> &#8211; installation, Delaware<br \/>\nCenter for Contemporary Arts, Wilmington, DE<\/p>\n<p>1985\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">TV NILE 85<\/span> &#8211; performance, Osiris Productions, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">THE HOUSE OF LEARNING 85<\/span> &#8211; performance\/installation, The John Glouschester House,<br \/>\nPhiladelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">THE BRAIN OF THE PAINTED BRIDE 85<\/span> &#8211; performance \/installation, The Painted Bride Art<br \/>\nCenter, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">NATURE\/EDUCATION 85<\/span> &#8211; performance\/installation, Community College, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">MATA\/MACHO 85<\/span> &#8211; installation, Nexus Gallery, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">A CHIC IDEA IS TO CELEBRATE THE TENTH ANNIVERSARY OF THE WASHINGTON<\/span><br \/>\n<span style=\"text-decoration: underline;\">PROJECT FOR THE ARTS 85<\/span> &#8211; performance\/installation, Washington Project for the Arts,<br \/>\nWashington, DC<\/p>\n<p>1984\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">ONCE UPON A TIME&#8230;AQUARIUM 84<\/span> &#8211; performance\/installation, The John Glouchester<br \/>\nHouse, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">BAY OF ALL SAINTS\/BAHIA 84<\/span> &#8211; performance\/installation, The Afro-American Historical and<br \/>\nCultural Museum, Philadelphia,PA<\/p>\n<p>1983\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">LE BROOM\/THE COUNTDOWN OF CENTURY IV PHILADELPHIA 83<\/span> &#8211; performance,<br \/>\nJFK Plaza, Philadelphia, PA<\/p>\n<p>1982\u00c2\u00a0\u00c2\u00a0 <span style=\"text-decoration: underline;\">AMERICAS: TO WHOM IT MAY CONCERN 82<\/span> &#8211; performance\/installation, The Pennsylvania<br \/>\nAcademy of Fine Arts, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">THE BLUE ROOM..THE HISTORY OF FASHION AT THE WHITE HOUSE 82<\/span> &#8211; performance\/<br \/>\ninstallation, Washington Project for the Arts, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">INTER-AMERICAN EXCHANGE 82<\/span> &#8211; exhibition, The Inter-American Development Bank,<br \/>\nWashington, DC<\/p>\n<p>1981\u00c2\u00a0 <span style=\"text-decoration: underline;\">RIVER WALK 81<\/span> &#8211; performance\/installation, Arcosanti, AZ<br \/>\n<span style=\"text-decoration: underline;\">MARIA BONITA BRASILEIRA 81<\/span> &#8211; installation, Museu do Homen do Nordeste, Recife, Brazil<br \/>\n<span style=\"text-decoration: underline;\">BRAZIL EXPORT III 81<\/span> &#8211; exhibition, Galeria Officina, Recife, Brazil<\/p>\n<p>1980\u00c2\u00a0 <span style=\"text-decoration: underline;\">TO GIVE MY HEART TO MOCTEZUMA 80<\/span> &#8211; performance\/installation, Palacio Mineria, Mexico<br \/>\nCity, Mexico<br \/>\n<span style=\"text-decoration: underline;\">THE RETURN OF THE EMPEROR D. PEDRO II OF BRAZIL 80<\/span> &#8211; performance, Smithsoinian<br \/>\nInstitution, Washington,DC<br \/>\n<span style=\"text-decoration: underline;\">BRAZIL EXPORT II 80<\/span> &#8211; exhibition, The Brazilian-American Cultural Institute and Fondo del<br \/>\nSol, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">BRAZIL EXPORT I 80<\/span> &#8211; exhibition, Race Gallery, Philadelphia, PA<\/p>\n<p>1979\u00c2\u00a0 <span style=\"text-decoration: underline;\">HOMAGE TO NOGUCHI 79<\/span> &#8211; performance, Philadelphia Museum of Art, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">ANCIENT ROOTS\/NEW VISIONS 79<\/span> &#8211; journey exhibition 1979-1977:<br \/>\nTuscon Museum of Art, Tuscon, AZ<br \/>\nNational Collection of Fine Arts, Washington, DC<br \/>\nMuseum of Albuquerque, Albuquerque, NM<br \/>\nLos Angeles Municipal Art Gallery, Los Angeles, CA<br \/>\nUniversity of Houston, Houston, TX<br \/>\nColorado Springs Fine Arts Center, Colorado Springs, CO<br \/>\nEverson Museum of Art, Syracuse, NY<br \/>\nSan Antonio Museum, San Antonio, TX<br \/>\nMuseum of Contemporary Art of Chicago, Chicago, IL<br \/>\n<span style=\"text-decoration: underline;\">MASKS, TENTS, VESSELS AND TALISMANS 79<\/span> &#8211; installation, ICA, Phila., PA<\/p>\n<p>1978\u00c2\u00a0 <span style=\"text-decoration: underline;\">MADONAS 78<\/span> &#8211; installation, Gold Medal Award, Museu de Arte Contemporaneo, Pernambuco,<br \/>\nBrazil<\/p>\n<p>1977\u00c2\u00a0 <span style=\"text-decoration: underline;\">INDEPENDANCE BALL 77<\/span> &#8211; performance\/event, Independance Mall, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">PROTO FIBER 77<\/span> &#8211; installation, Lowe Gallery, Syracuse, NY<br \/>\n<span style=\"text-decoration: underline;\">SE 1977-RITUAL<\/span> &#8211; performance\/installation, Department of Cultural Affairs, Pernambuco, Brazil<\/p>\n<p>1976\u00c2\u00a0 <span style=\"text-decoration: underline;\">UM\/LM UPPER MEZZANINE LOWER MEZZANINE MARKET PLACE 76<\/span> &#8211; performance\/<br \/>\ninstallation, Center Square, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">POMBA GIRA\u00e2\u20ac\u2122S FESTIVAL 76<\/span> &#8211; Washington Project for the Arts, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">MEMORIES OF THE BICENTENIAL 76<\/span> &#8211; live film, The Mall, Washington, DC<\/p>\n<p>1975\u00c2\u00a0 <span style=\"text-decoration: underline;\">SPECIAL GUEST PARTICIPANT &#8211; XIII INTERNATIONAL BIENNIAL OF\u00c2\u00a0 S. PAULO<\/span> &#8211;<br \/>\nS. Paulo, Brazil<br \/>\n<span style=\"text-decoration: underline;\">PERFORMANCES FOR CITY CELEBRATION 75<\/span> &#8211; Cultural Deptartment, S. Paulo, Brazil<br \/>\n<span style=\"text-decoration: underline;\">SYMPOSIUMS 75<\/span> &#8211; Ipanema Research Center, Rio de Janeiro, Brazil<br \/>\n<span style=\"text-decoration: underline;\">ANTHROPOLOGICAL RESEARCH 75<\/span> &#8211; North East Brazil<br \/>\n<span style=\"text-decoration: underline;\">ERRATA II 75<\/span> &#8211; exhibition\/performance, Birmingham Museum of Art, Birmingham, AL<br \/>\n<span style=\"text-decoration: underline;\">ERRATA I 75<\/span> &#8211; performance, Kalorama Park, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">REZA\/LUNG 75<\/span> &#8211; performance, Fordham University Chapel, Lincoln Center, NYC, NY<br \/>\n<span style=\"text-decoration: underline;\">KULA 75<\/span> &#8211; performance, Heartworks Studio, NYC, NY<br \/>\n<span style=\"text-decoration: underline;\">SIMPLEX 75<\/span> &#8211; performance\/installation, Institute of\u00c2\u00a0 Contemporary Art, Philadelphia, PA<\/p>\n<p>1974\u00c2\u00a0 <span style=\"text-decoration: underline;\">LA FIESTA DE LA CARNE 74<\/span> &#8211; exhibition\/performance, The Corcoran Gallery of Art,<br \/>\nWashington, DC<br \/>\n<span style=\"text-decoration: underline;\">DOG\u00e2\u20ac\u2122S DREAMS 74<\/span> &#8211; performance, City of Boston, Boston, MA<br \/>\n<span style=\"text-decoration: underline;\">AGO-AGORA 74<\/span> &#8211; performance, African Heritage Center, Washington,DC<br \/>\n<span style=\"text-decoration: underline;\">CULTURAL&#8230;&#8230;.E 74<\/span> &#8211; performance, Kalorama Park, washington, DC<br \/>\n<strong> <\/strong> <span style=\"text-decoration: underline;\">SEVEN 74<\/span> -\u00c2\u00a0 performance, Glen Echo Ballroom, Glen Echo, MD<br \/>\n<span style=\"text-decoration: underline;\">RETROSPECTIVE EXHIBITION<\/span> &#8211; Private Arts Foundation, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">AN INITIATION 74<\/span> &#8211; performance, Georgetown Universtiy,\u00c2\u00a0 Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">CARNAVAL 74<\/span> &#8211; performance, Olinda, Brazil<\/p>\n<p>1973\u00c2\u00a0 <span style=\"text-decoration: underline;\">RUTHONIA DOUBLE SOLO\/THE COLD BLOODED FRATERNITY 73<\/span> &#8211; performance, City<br \/>\nCelebration, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">CLAN ONIRICA 73<\/span> &#8211; performance, Wolf\u00c2\u00a0 Trap Farm Park, Vienna, VA<br \/>\n<span style=\"text-decoration: underline;\">TORTURA MACHINERY 73<\/span> &#8211; performance, St. Thomas Parish, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">AMERICAN OLD AGE..A RITUAL SIMPLIFIED OF BODILY CHEMICAL<\/span><br \/>\n<span style=\"text-decoration: underline;\">CONTAMINATION 73<\/span> &#8211; performance, Philadelphia Museum of Art, Philadelphia, PA<br \/>\n<span style=\"text-decoration: underline;\">CONSTRUCTION OF THE GREEN MAN 73<\/span> &#8211; performance, Committee for the Future,<br \/>\nWashington, DC<br \/>\n<span style=\"text-decoration: underline;\">LOGOS-DANCA DO CAJU 73<\/span> &#8211; performance, Henri Gallery, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">VISIT TO THE FIVE SENSE STORE 73<\/span> &#8211; performance, National Collection of Fine Arts,<br \/>\nWashington, DC<br \/>\n<span style=\"text-decoration: underline;\">ADDING TO OUR FORMS 73<\/span> &#8211; performance\/video, Corcoran Gallery of Art, Washington, DC<\/p>\n<p>1972\u00c2\u00a0 <span style=\"text-decoration: underline;\">JACA BARROCA 72<\/span> &#8211; performance\/video, Renwick Museum, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">FATIMA DE SPINNER AND THE TENT 72<\/span> &#8211; television production, WETA-TV, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">FATIMA AND THE CONTATA 72<\/span> &#8211; television production, WETA-TV, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">THE TRILOGY..SALOME AND HER MOTHER, FATIMA, A STORY OF SOME SAINTS <\/span><br \/>\n<span style=\"text-decoration: underline;\">AND<\/span> <span style=\"text-decoration: underline;\">SISTERS 72<\/span> &#8211; performance, Fondo del Sol, Washington, DC<span style=\"text-decoration: underline;\"> <\/span><br \/>\n<span style=\"text-decoration: underline;\">BIOGRAPHY OF AN ARTIST 72<\/span> &#8211; performance, Georgetown University, Washington, DC<br \/>\n<span style=\"text-decoration: underline;\">SALOME AND HER MOTHER 72<\/span> &#8211; exhibition\/performance, The Art Barn, Washington, DC<\/p>\n<p>1971\u00c2\u00a0 <span style=\"text-decoration: underline;\">IMPROMTU PERFORMANCES AND PRESENTATIONS:<\/span> National Collection of Fine Arts,<br \/>\nCorcoran Gallery of Art and The Renwick Museum, Washington, DC<\/p>\n<p><strong>SELECTED RESIDENCIES <\/strong><\/p>\n<p>1995\u00c2\u00a0 City of\u00c2\u00a0 Newark, NJ<br \/>\n1994\u00c2\u00a0 Hallwalls Contemporary Arts Center, Buffalo, NY<br \/>\nPerkins Center for the Arts, Moorestown, NJ<br \/>\n1993\u00c2\u00a0 ARCO, Lisbon, Portugal<\/p>\n<p>1992\u00c2\u00a0 Vermont Studio Center, VT<br \/>\nMaryland Art Place, Baltimore, MD<br \/>\nRockville Art Center, Rockville, MD<br \/>\n1991\u00c2\u00a0 University of Colorado, Boulder, CO<br \/>\nPennsylvania School of Art and Design, Lancaster, PA<br \/>\n1990\u00c2\u00a0 McCall Art School, Philadelphia, PA<br \/>\n1989\u00c2\u00a0 Albright College, Reading, PA<br \/>\nThe Headlands Center for the Arts, Sausalito, CA<br \/>\n1988\u00c2\u00a0 Temple University, Philadelphia, PA<br \/>\n1987\u00c2\u00a0 Osiris Productions, Washington, DC<br \/>\n1986\u00c2\u00a0 Lehigh University, Bethlehem, PA<br \/>\n1985\u00c2\u00a0 John Glouchester House, Philadelphia, PA<br \/>\n1984\u00c2\u00a0 Brandywine Graphic Workshop, Philadelphia, PA<br \/>\n1982\u00c2\u00a0 Marconi Community Center, Philadelphia, PA<br \/>\n1981\u00c2\u00a0 Painted Bride Art Center, Philadelphia, PA<br \/>\n1980\u00c2\u00a0 The Brazilian-American Cultural Institute, Washington, DC<br \/>\n1979\u00c2\u00a0\u00c2\u00a0 The Art Institute of Chicago, Chicago, IL<\/p>\n<p><strong>SELECTED LECTURES<\/strong><\/p>\n<p>Montclair Museum<br \/>\nHallwalls Contemporary\u00c2\u00a0 Arts Center<br \/>\nCastelani Art Museum<br \/>\nNAAO National Conference, Minneapolis, MN<br \/>\nCorcoran Gallery of Art<br \/>\nNational Collection of Fine Arts<br \/>\nExperimental Gallery, Smithsonian Institution<br \/>\nMaryland University<br \/>\nMuseum of Contemporary Art of Chicago<\/p>\n<p><strong>SELECTED LECTURES(CONTINUED)<\/strong><br \/>\nArt Institute of Chicago<br \/>\nSUNY at Purchase<br \/>\nUniversity of\u00c2\u00a0 S. Paulo, Brazil<br \/>\nPenn State University<br \/>\nMyhelan Arts Center<br \/>\nTaller Puertorriqueno<br \/>\nHarlem Museum<br \/>\nMuseo del Barrio<br \/>\nBienal de S. Paulo<br \/>\nGeorgetown University<br \/>\nUniversity of Delaware<br \/>\nLehigh University<br \/>\nUniversity of\u00c2\u00a0 Colorado at Boulder<br \/>\nMuseu do Homen, Brazil<br \/>\nPennsylvania Academy of Fine Arts<br \/>\nMunicipal Gallery of Los Angeles<\/p>\n<p><strong>SELECTED FELLOWSHIPS AND GRANTS<\/strong><br \/>\n2000\u00c2\u00a0 Artists &amp; Communities: America Creates for the  Millennium, Mid-Atlantic Arts Foundation &amp; NEA at the Roswell Museum  of Art, Roswell, NM<br \/>\n1999\u00c2\u00a0 Artist as Catalyst, Mid-Atlantic Arts Foundation<br \/>\n1998\u00c2\u00a0 Dance Initiative, CEC<br \/>\n1995\u00c2\u00a0 Mid-Atlantic Arts Foundation<br \/>\nGeraldine R. Dodge Foundation<br \/>\n1994\u00c2\u00a0 Mid-Atlantic Arts Foundation, residency grant (New Jersey and New York)<br \/>\n1993\u00c2\u00a0 Arts International, Lila Wallace Foundation<br \/>\nNew Forms Regional Grant<br \/>\n1991\u00c2\u00a0 Nationl Endowment for the Arts<br \/>\n1990\u00c2\u00a0 Pennsylvania Council on the Arts<br \/>\n1988\u00c2\u00a0 Pennsylvania Council on the Arts<br \/>\nThe Temple Gallery<br \/>\n1987\u00c2\u00a0 Mid-Atlantic States Arts Consortium<br \/>\n1986\u00c2\u00a0 Mid-Atlantic States Arts Consortium<br \/>\n1985\u00c2\u00a0 Painted Bride Art Center<br \/>\nArtists-in-Education, Pennsylvania Council on the Arts<br \/>\nPennsylvania Council on the Arts<br \/>\n1983\u00c2\u00a0 Pennsylvania Council on the Arts<br \/>\n1982\u00c2\u00a0 National Endowment for the Arts<br \/>\n1977\u00c2\u00a0 Fundarpe Grant, Recife, Brazil<br \/>\n1975\u00c2\u00a0 Special Grant from the city of\u00c2\u00a0 S. Paulo, Brazil<\/p>\n<p><strong>PUBLIC COLLECTIONS<\/strong><br \/>\nCorcoran Museum of Art, Washington, DC<br \/>\nBrazilian-American Cultural Institute, Washington,DC<br \/>\nThe Private Arts Foundation, Washington, DC<br \/>\nFondo del\u00c2\u00a0 Sol, Washington, DC<br \/>\nPhiladelphia Museum of Art, Philadelphia, PA<br \/>\nPennsylvania Academy of Fine Arts, Philadelphia, PA<br \/>\nFundacao Joaquim Nabuco, Recife, Brazil<br \/>\nMuseu do Homen do Nordeste, Recife, Brazil<br \/>\nSmithsonian Institution, Washington, DC<br \/>\nNational Collection of Fine Arts, Washington, DC<br \/>\nBryn Mawr Presbyterian Church, Bryn Mawr, PA<br \/>\nUniversity of Colorado, Boulder, CO<br \/>\nLehigh University, Bethlehem, PA<\/p>\n<p><strong>PANELIST FOR:<\/strong><\/p>\n<p>International Performance Symposium, Penn State University, 1996<br \/>\nPennsylvania Council on the Arts, 1993, 1994, 1995<br \/>\nNew Jersey State Arts Council, 1995<\/p>\n<p>Challenge Exhibition, Fleisher Art Memorial, Philadelphia, PA, 1992<br \/>\nNAAO National Conference, Minneapolis, MN, 1991<\/p>\n<p><strong> SUMMER CAMP DIRECTORSHIP<\/strong><\/p>\n<p>Myhelan Arts Center, 1999<br \/>\nTaller Puertorriqueno, 1998 and 1996<br \/>\nAljira Center for Contemporary Art, 1995<br \/>\nPerkins Center for the Arts, 1994<br \/>\nFleisher Art Memorial, 1993<br \/>\nMcCall School, 1992<br \/>\nBrandywine Workshop, 1986<br \/>\nPoint Breeze, 1986<br \/>\nFondo del Sol, 1985<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jonas dos Santos 1242 N. Lawrence Street Philadelphia, PA 19122 215-978-0793 Fax: 215-978-0793 E-mail: jonaslink@cs.com Born: Recife, Brazil EDUCATION 1968-1972\u00c2\u00a0 Corcoran School of Art, Washington, DC 1966-1968\u00c2\u00a0 B.A. Escola de Arte, Recife, Brazil 1965-1966\u00c2\u00a0 Atelier de Artes Livres, Recife, Brazil SELECTED PERFORMANCES AND PROJECTS 2005\u00c2\u00a0 DON QUIXOTE DECONSTRUCTED, Zoellner Art Center, Lehigh University, PA 2004\u00c2\u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page-wide.php","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"","bgseo_robots_follow":"","ngg_post_thumbnail":0},"_links":{"self":[{"href":"http:\/\/www.jonasdossantos.com\/index.php?rest_route=\/wp\/v2\/pages\/16"}],"collection":[{"href":"http:\/\/www.jonasdossantos.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.jonasdossantos.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.jonasdossantos.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jonasdossantos.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16"}],"version-history":[{"count":0,"href":"http:\/\/www.jonasdossantos.com\/index.php?rest_route=\/wp\/v2\/pages\/16\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jonasdossantos.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}